Showing posts with label the look of love. Show all posts
Showing posts with label the look of love. Show all posts

13 August 2013

The Look of Love - Coogan the Chameleon

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Steve Coogan, forever tied to his legendary comic creation Alan Partridge, has appeared in a varied range of film roles in recent years, acting in biopics, voicing animated characters and of course recently starring as the aforementioned Partridge in the long awaited ALPHA PAPA. To celebrate the release of THE LOOK OF LOVE out on DVD & Blu-ray on August 19th, we take a look at a selection of Coogan’s cinematic roles.

Paul Raymond The Look of Love (2012)


Paul Raymond, otherwise known as the King of Soho, was a bold and brave businessman during a time of social change. He is most famous for his strip clubs in Soho during the 1960’s that brought him an obscene amount of wealth, which led to the launching of Paul Raymond Publications and soft porn magazines. After watching video footage and talking with the Liverpudlian’s family and friends, Steve Coogan was able to bring his character back to life, showing his close relationship with his daughter Debbie Raymond and how drugs were the downfall of his family.

Alan Partridge – Alpha Papa (2013)


After he first appeared on BBC Radio 4 with On The Hour back in 1991, Alan Partridge has become a UK phenomenon and Steve Coogan’s 20 year long comedy masterpiece. Coogan has mastered Alan’s insecure, superficial, social status obsessed personality, this year culminating in his very own action film. Acting as a negotiator during an armed takeover of the news station, Partridge looks to take advantage of the media buzz. As witty as he’s ever been, Coogan’s alter ego looks to be a hit with critics and viewers.

Tony Wilson – 24 Hour Party People (2002)


Despite being another biopic of a media mogul, 24 Hour Party People is a very different film. Tony Wilson, Cambridge educated journalist, knew he’d found ‘the future of music’ one night at a small concert featuring the Sex Pistols, and later sets up Factory Records who would sign Joy Division. Using a healthy dose of artistic license, the film depicts the defining foundations of the punk movement in Manchester and the later era-defining ‘Madchester’ scene of the late 80s and early 90s. See if you can spot a cameo from the real Tony Wilson.


Tristram Shandy – A Cock & Bull Story (2005)

In this book within a book within a film within a film, Coogan plays himself playing an actor. Based on the humourous eighteenth century book Tristam Shandy, famous for its long discussions of metaphysical concepts, the film employs layers of this outside the production of the film being made on screen. Using a documentary style, the lack of plot focus from the novel allows Coogan freedom to riff amusingly with co-star Rob Brydon unhindered by relevance to anything happening within what can be loosely described as the story.

Damien Cockburn – Tropic Thunder (2008)

With a $92 million budget, this comedy action movie is only the fourth from director Ben Stiller. Coogan plays a fledgling director attempting to shoot an adaptation of a war novel written by John Tayback (Nick Nolte). What he and the rest of the production don’t realise is that their location is actually the territory of a violent heroin gang who view the film crew as a threat. The frustrated Coogan is a month behind schedule and stressing about his project, to amusing satirical effect. When he is blown up by a land mine, the actors believe it is a trick to add realism to their roles.

Phileas Fogg – 80 Days Around the World (2004)

Taking David Niven’s role in the Oscar winning 1956 version of the film, the modern update with Jackie Chan is an amusing retelling that doesn’t take itself nearly as seriously. Coogan fits the shoes of mad inventor with surprising ease. His outlandish CGI inventions and trademark British humour in the face of almost certain death give the film a warm charm, and is representative of a self-awareness that the grandeur of its older adaptation won’t enthral modern audiences in the same way that it did half a century ago.


Ambassador Mercy – Marie Antoinette (2006)

The cult period film by Hollywood royalty Sophia Coppola put Coogan in a more minor role. Speaking of the director, he said “You know that if Sofia Coppola’s going to make a costume drama it’s not going to be ordinary ... The reason I did that movie was because of her.” Like many in the industry, he prefers the freedom of independent filmmaking, but made exception on this occasion. An uncommon non-comedic role for the actor, Coogan proves he can tackle this type of character with a flourish.
The Look Of Love will be released on 19th August on DVD and Blu-ray.

27 April 2013

The Best Father-Daughter Relationships in Film (The Look Of Love)

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The Look of Love documents the life of Soho’s king, Paul Raymond – the one time richest man in Britain, self made millionaire, property owner, publisher, nightclub order, husband, lover and father. Raymond’s reputation as a ladies’ man may precede him, but despite his flaws it is undeniable that relationship with his daughter Debbie was the most important aspect of his multifaceted life. She was not only his heir and undoubtedly the apple of his eye, and his motivation. The Look of Love stars Steve Coogan, Anna Friel and Imogen Poots and to mark it’s release, here’s a countdown of the best father-daughter relationships on the big screen.


Matt King in The Descendants (2012)


George Clooney plays a father whose wife is left in a coma after an accident. Although he had never been hands-on dad, he is left to take care of his two young daughters, the eldest of which is a rebellious teenager. When shocking secrets about his wife’s life come to light, the family are forced to pull together, re-examining the past and embracing their new future together whilst Matt has to make the difficult decision regarding his family’s ancestral land.


Doctor Poulain in Amelie (2001)


Amelie was never close to her father. A stern army doctor, the only time she was ever close to him was during her annual check up – something so exciting that it caused her heart to pound and led her perents to believe that she has a defect! A recluse since the death of Amelie’s mother, he spent his autumn years collecting garden ornaments and making shrines to his wife, until, in a bid to bring some colour into his life, Amelie secretly gives her father’s favourite gnome to her air hostess, who takes him on her travels, sending back pictures of the cheery fellow in various exotic locations, to his bemusement.


George Banks in Father of The Bride (1991)


Steve Martin plays a father struggling with the idea of giving his daughter away, wracked with the idea that her future husband is now taking the place of the most important man in her life. However, in the end he realises that she is always going to need him, and that he will always be there for her no matter what.


Daddy Warbucks in Annie (1982)


Oliver ‘Daddy’ Wharbucks was a self-proclaimed bachelor – he never wanted children or anyone to share his millions with. That was until Annie, the feisty red-headed orphan came into her life. Initially she was nothing more than a photo opportunity for Wharbucks, staying in his mansion for a week in a bid to boost his image. However, he is soon won over by her charm and intelligence, rescuing her from the orphanage and adopting her as his own.


Atticus Finch in To Kill a Mockingbird (1962)


The southern lawyer is a single father who brings his daughters up with compassion and kindness, teaching his children to treat all people with equality and respect – valuable life lessons with gems such as: “You never really understand a person until you consider things from his point of view - until you climb into his skin and walk around in it."


Wink in Beasts of the Southern Wild (2013)


The young hushpuppy’s relationship with her hot-headed father is strained at times, but when melting ice-claps flood her ramshackle community ‘The Bathtub’ and unleash ancient creatures, Wink goes to extreme efforts to solidify his daughter’s independence despite his ailing health.


Mose in Paper Moon (1973)


When travelling con-man stumbles across a funeral, the striking resemblance between himself and the orphaned child of the dead woman means that he is reluctantly persuaded that the pair are somehow related, and he is charged with delivering the her back to her aunt’s in Missouri. The intelligent Addie soon realises that Mose is not the wandering preacher that he professes himself to be, and the pair become a fantastic team – making money in every dishonest way imaginable, meeting a variety of colourful characters along the way.


Jean Valjean in Les Miserables (2013)


Fantine, a worker in Valjean’s factory is unceremoniously cast into the street on the discovery that she has an illegitimate child, and subsequently forced into a life of prostitution in order to provide for her, which leads to her death. On discovering this, Valjean is wracked with guilt and vows to become little Cosette’s protector, rescuing her from her abusive step-parents and treating her like a daughter – she becomes the centre of his world.


The Look of Love comes is out now in UK cinemas Read our review


26 April 2013

Michael Winterbottom Retrospective (The Look Of Love)

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This indisputably underestimated Blackburn-born filmmaker has packed in a lot in a fifteen-year career. Looking at Michael Winterbottom’s folio, no genre goes uncharted: spanning everything from spoof documentary, eerie thriller to engaging realism.

In UK cinemas on 26th April, The Look of Love sees Winterbottom collaborating with Steve Coogan yet again, this time in a irreverent look at the life of Paul Raymond, controversial entrepreneur, nightclub owner and one-time richest man in Britain. The film co-stars Anna Friel, Tamsin Egerton and Imogen Poots, along with Stephen Fry and David Walliams.

To mark the release of the newest addition to his oeuvre, here’s a look at some of his best work…

Trishna (2011)

With Trishna, Winterbottom took Hardy’s Tess of d’Urbevilles and embedded it in modern India, using the narrative to document the tragic relationship between the son of a property developer and the daughter of a rickshaw owner. The story was shot in the Indian cities of Jaipur and Mumbai and stars the beautiful Freida Pinto and Riz Ahmed as its leads.



The Killer Inside Me (2010)

Based on a 1952 novel by Jim Thompson, the film follows the pillor of a small community, Deputy Sheriff Lou Ford, beneath whose calm and rational exterior is a violent sociopath harbouring a dark past. Despite scenes of extreme violence shocking audiences, the film is a stylishly shot and a gripping, intelligent take on classic film noir, starring Casey Affleck, Kate Hudson and Jessica Alba.


The Trip (2012)

Winterbottom created an improvised six-episode comedy series filmed in the Lake District, in which a dissatisfied actor agrees to write a series of reviews for the Observer newspaper in order to impress his girlfriend, who unceremoniously dumps him at the start of the series. The episodes take place over a sequence of gourmet meals and stars Rob Brydon and Steve Coogan in a ferociously hilarious double act.



Genova (2008)

This little known gem is impeccably acted and full of subtle moments of beauty. The story is about a father (played by Colin Firth), who, following the death of his wife decides to start anew, moving to Italy to teach English at Geneva University, accompanied by his two adolescent daughters. Crammed together in a cosy but chaotic flat, the family of three learn lessons about love, life, death and family through the events which ensue, all set against the beautiful backdrop of the beautiful streets of Geneva.



A Mighty Hart (2007)

The brilliant, suspense filled docu-drama was based on the memoirs of Mariane Pearl and produced by Brad Pitt. It documents Marlene, played by Angelina Jolie, on the frantic search to locate her husband, missing journalist Daniel Pearle, who was kidnapped and murdered whist on an assignment in Pakistan. Jolie was critically acclaimed for her emotionally charged performance.



The Road To Guantanamo (2006)

This British docu-drama focuses on the Tipton Three, a trio of British Muslims who were captured in Afghanistan and held in Guantanamo Bay for two years until they were released without charge. The reception to the film was mixed due to the controversial subject matter and it’s portrayal of interrogation and torture techniques used the US Army. Nevertheless, Winterbottom won the Silver Bear for Best Director at the 56th Berlin International Film Festival, and the film won the Independent Spirit Award for Best Documentary Feature at the Sundance Film Festival.


A Cock and Bull Story (2005)

Winterbottom’s adaptation of Laurence Sterne’s 18th century novel, The Life and Opinions of Tristram Shandy is a film-within-a-film. It features Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of the novel. The book is about a man unable to write a novel, and the film quite aptly mirrors this in the men’s inability to make a film.



9 Songs (2004)

9 Songs revisits sex and rock n’ roll – two of Winterbottom’s favourite themes. The film charts the extremely full on, sexual relationship between an American college student and a British glaciologist, which sees the two lovers attending rock concerts in-between their intense physical encounters.



24 Hour Party People (2002)

This classic mock-u-mentary documents the 90’s ‘Madchester’ music scene. The narrative follows the career of Tony Wilson (played by Steve Coogan), a news reporter for Granada and head of Factory records. The film dramatises a combination of real events, rumours and urban legends to hilarious result, and features a fantastic Brit rock soundtrack featuring The Sex Pistols, Happy Mondays and Joy Division.



Jude (1996)

Featuring pre-Titanic Kate Winslet alongside the also relatively unknown Christopher Ecclestone. The film is another adaptation of a much loved Hardy novel, Jude the Obscure which is the well known tale of a working class man who dreams of becoming an academic, scandalising his small west country village by leaving his wife for his beautiful cousin. Critically acclaimed as an amazingly powerful and dark film.



The Look of Love opens in UK cinemas Today, 26th April



24 April 2013

The Look Of Love Review

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Whether recounting the autobiographical tale of a renowned public figure in 24 Hour Party People (Tony Wilson) or adapting the supposedly unfilmable novel which charts the life of a fictional character in A Cock and Bull Story, director Michael Winterbottom and actor Steve Coogan are a formidable partnership when it comes to regaling an audience with what can easily be considered quintessentially British films. Winterbottom's latest offering, The Look of Love, marks their fourth collaboration and documents the life of Paul Raymond, a controversial entrepreneur who shot to fame in 60's Soho with his chain of strip clubs and adult publications, and his impressive rise throughout the 70's to the position of Britain's richest man.

Instead of focusing solely on the exploits that made Raymond infamous, The look of Love is an in depth character study that doesn't shy away from his roles as a father and husband, which appear far more demanding to Raymond than working in a profession associated with scantily clad ladies and readily available drugs. There are moments of bleakness throughout the screenplay (such as a stand out scene where Raymond meets his estranged son) but for the most part the decadence of the era, which is shown through the glamour and excess of Raymond and his associates, lightens the mood enough for Winterbottom's film to be an enjoyable diversion whether audiences are familiar with the story or not.

Alan Partridge aside, Coogan has never seemed more at home in a character than in his portrayal of Paul Raymond. Sleazy yet charismatic, Coogan is perfectly cast in the leading role and it is impressive to see him handle the more tender and heartfelt moments of this drama with an emotional depth rarely seen in his acting career. Throughout his life Raymond's obsession with women is ever prevalent;  his wife (Anna Friel) and his lover, Amber (Tamsin Egerton), both have a huge impact on him but none more so than the daughter he dotes on. Debbie (Imogen Poots) appears to be the only girl he cannot bear to be without and Poots displays a wonderful naivety when Debbie is plunged into her father's world of adult entertainment at a young age. Despite this it is Egerton's alluring performance that stands out, and as Amber seduces Raymond, the audience will inevitably follow suit.

As is often the case with Winterbottom's films, appearances by British comedy stalwarts such as Stephen Fry, David Walliams and Dara O'Briain provide welcome comic relief even if their screen time is limited, and in some cases it is disappointing that their characters are not utilised more.

Whilst The Look of Love is not quite as accomplished as Winterbottom's previous autobiographical efforts, it is still nonetheless a captivating study of the man fondly remembered by many as the King of Soho. Not all of the emotional notes will strike a chord with the audience but those that do will linger, and the relationship between Paul Raymond and his carefree daughter Debbie is a joy to behold. The Look of Love may struggle to find an audience but those who seek it out will be rewarded with a surprisingly moving autobiography that showcases Steve Coogan at his best.

★★★½

Tom Bielby

Rating: 15
UK Release Date: 26th April 2013
Director
Cast

11 March 2013

Hotel California To Sleep Walking, 2013 London Sundance Festival Line Up announced

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After years wishing we could attend, 2012 Robert Redford made many British cinephiles dreams come true when he annouced Sundance Festival was coming to UK. After the success of the inaugural festival last year today Sundance Insitute announced it' line up for the 2013 London Sundance  festival which kicks off late next month.

This years festival will showcase 18 feature films and 9 short films spread across 4 sections including the new UK section whose highlight is Michael Winterbottom's Look Of Love starring Steve Coogan as Porn baron Paul Raymond. In total 23 films will make their will make their international, European or UK premieres at Sundance London. Ten are by female filmmakers and six are by first-time feature filmmakers. The films collectively received 12 awards when they premiered at the Sundance Film Festival in Park City, Utah, U.S.A..

The Highlights of this years festival include The History Of The Eagles Part One a documentary based on the iconic  American rock band (who are also scheduled to appear), Lynne Shelton's Touchy Feely starring Rosemarie Dewitt, Scoot McNairy getting its International Premier and  Shane Carruth's Upstream Colour getting it's UK premier. Fans of Music may want to check out Peaches Doe Herself a documentary looking at the rise of the singer and her unique brand of 'electro-rock'.

In addition to film screenings and panels, Sundance London will host several live music performances and events. Peaches has been announced as the first headlining act for the 2013 festival, and tickets for that performance are now on sale. Additional music performers will be named. Among the 17 musical acts at the first-ever Sundance London were Tricky and Martina Topley-Bird, Placebo, and Rufus and Martha Wainwright. Among the artists expected to attend Sundance London are Lake Bell, Mike Birbiglia, Jimmy Carr, the Eagles, Barbara Kopple and Peaches, as well as Sundance Institute President & Founder Robert Redford.

Robert Redford said, “We would hope for Sundance London to be another 'Sundance' experience – lively, culturally relevant and fun. We look forward to engaging with audiences as we discover new voices, new points of view and new perspectives.”

The second Sundance London film and music festival, will take place on 25-28 April at The O2. Passes and ticket packages are available at www.sundance-london.com, and individual tickets will be on sale from 9:00 a.m. GMT Friday 15 March.

2013 line-up

Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary)

Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the US Grand Jury Prize: Documentary and the Audience Award: US Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary)

Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative)

God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary)

In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: US Dramatic at the 2013 Sundance Film Festival. (Narrative)

The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative)

The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative)

Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary)

Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary)

Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative)

Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a US Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival US Grand Jury Prize: Dramatic-winning film Primer. (Narrative)

History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary)

Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative

Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative)

In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative)

The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative)

The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary)

The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: US Documentary at the 2013 Sundance Film Festival. (Documentary)

The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon.

Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band.

The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.

Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.

Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS.

Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.

Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.

Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: US Fiction at the 2013 Sundance Film Festival.

The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival.