Showing posts with label studiocanal. Show all posts
Showing posts with label studiocanal. Show all posts

16 March 2015

GFF 2015 Review - Clown (2014)

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Genre:
Horror, Comedy
Distributor:
StudioCanal UK
Screened:
Glasgow Film Festival
DVD Release Date:
2nd March 2015 (UK)
Director:
Jon Watts
Cast:
Eli Roth, Peter Stormare, Laura Allen , Andy Powers,Christian Distefano
Buy:Clown [DVD]


Jon Watts’ Clown is an exceptional example of how much fun can still be had in the darkest corners of the horror genre without sacrificing a good story. Playing it straight in the realm of clown horror proves a bit of a tone twister, but actually works pretty perfectly in this Eli Roth produced monster movie.

When the clown for his son’s birthday party doesn’t show up, loving father and real estate agent Kent (Andy Powers) is forced to don a mysterious clown suit he finds at one of his houses. But the suit doesn’t come off, instead altering Kent’s body and behaviour, giving him a taste for child-flesh.

Like Sinister, Clown plays on the old “found object” terror, but by its half way mark, it’s taken on more of a Rare Exports vibe, unearthing the horrific truth behind an everyday icon and letting chaos spark at every turn. Watts is astute not to lose his head amidst the terror and confusion. Keeping the ideals of yester-year’s monsters and camp creature-features alive through kitschy gore details and fabulous practical effects is a wise move. It lends further startling substance to a film that already has so many great ideas, the least of which is to structure itself like a slasher for kids, complete with its own set of rules.

Scribe Christopher D. Ford obviously had a total hoot crafting this sadistic little screenplay, and you can’t blame him. This is the perfect update of the clown horror film, a well-considered venture into social anxiety via a garish and gory display of child mutilation, body horror, bright colours, and total madness. Screw IT, Clown wipes the floor with contemporaries and its entire repertoire of inspirations alike, but still has a great time doing it. Its not just on Watts and Ford though, Powers is integral to the meat of the story, because, after all, there’s still a man inside that foul suit. Peter Stormare shows up as the expert/previous owner fo the suit and seems to be having a ball spouting bonkers sentiments whilst terrifying all the films’ sane characters..

There’s a strong element of cheesy fun at work here, but not quite to the point of outright comedy. Kent’s struggle to remove the haunting outfit is funny, but the resultant body horror genuinely gets under your skin. Once the suit takes hold the film sets on a path of ridiculously confrontational horror and insanity: child abduction, murder, graphic suicide, Stormare’s daft turn, great use of found footage, finger nibbling, kiddy-crunching its all here. A genius sequence of mass-terror at a soft play is arguably the crowning achievement of the feature, delivering every single nightmare you could want from a film about a killer-clown. Watts’ has constructed a perfect mash-up of genre ideals without losing his humour, and he’s done it beautifully.

A funny, but mostly horrifying, monster-flick flaunting terrific scares and a great story. Show your kids, show your wee brothers and sisters. This is the film that fucks children up for life.

★★★★
Scott Clark

26 January 2015

Win Ragnarok - The Viking Apocalypse On DVD

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To celebrate the release of Ragnarok The Viking Apocalypse, the fast-paced throwback to the kind of old-school Spielberg action we all grew up on - coming to DVD 2nd February 2015 - we have a copy to giveaway courtesy of Studiocanal.

Think the Goonies meets Jurassic Park, or Indiana Jones with a Lord Of The Rings twist.

Fast-paced, gripping but most of all fun, Ragnarok is ridiculously entertaining. And, as a bonus extra, it’ll help Marvel fans swot up on viking mythology ahead of Thor: Ragnarok. So, exciting AND educational, what more could movie fans want?

“Ragnarok is the closest you're going to get to a new Steven Spielberg movie in the manner of Jurassic Park or Raiders of the Lost Ark” Sound on Sight

Available to order on Amazon today: http://amzn.to/1tDgPgv

Archaeologist Sigurd Svendsen has for years been obsessed with the Oseberg Viking ship. The only inscription found on the ship is the enigmatic ‘man knows little’ written in runes. Sigurd is sure that the Oseberg ship contains the answer to the mystery of Ragnarok, the end of days in Norse mythology. When his friend Allan finds similar runes on a stone from the north of Norway, Sigurd becomes convinced that the runes are in fact a treasure map. Together they mount an expedition group and their adventure leads to “No man’s Land” between Norway and Russia, which has been deserted for decades. Here Sigurd learns the true meaning of the runes – a secret more terrifying than he could possibly imagine.



To Win a copy of Ragnarok The Viking Apocalypse, please answer the following question...

Q.Name the 'Viking'Film directed By Nicholas Winding Refn starring a near dialogue free Mads Mikklesen?




Deadline is Sunday 8th February 2015 (23:59pm),If you haven’t done already Like us and stay with us at our Facebook page (if you are already liking us just share this post on twitter and facebook). Must be 13  or older to enter.

1.The competition is not opened to employees, family, friends of The Peoples Movies, Arrow Films .13 years or older to enter 3.Failure to include any information required to enter could result in your entry been void.  4.automated entries are not allowed and will be disqualified, which could result you been banned, DO NOT INCLUDE telephone numbers as for security reason your entry will be deleted.5.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay friend/like us all the time,or future entries maybe considered one entry if you are liking us share the post on facebook and re-tweet the post.6.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 7.Prizes may take from days to a few months for delivery which is out of our control so please do not complain 8.The winning entries will be picked at random and contacted by email for postal details and will be announced via facebook, sometimes we are unable to confirm winners. Uk & Irish entries only

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26 January 2014

Win Blood Glacier aka The Station on DVD

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Splicing its way onto DVD this winter, comes the blood chilling creature feature – BLOOD GLACIER (aka The Station). With giant insects and crazed cross breeds galore, what’s not to get excited about in this perfect hybrid of horror and science gone wrong. Blood Glacier is the body horror we have been waiting for since John Carpenter’s The Thing.

To celebrate the release of Marvin Kren's Blood Glacier, we have a copy on DVD to give away! Coming to DVD on Monday 27th January from StudioCanal.

Working in a remote outpost of the German Alps, technician Janek and a cohort of scientists are stunned to discover a bleeding blood glacier parked high up in the mountain range. As the gory infected berg melts the blood attracts the local wildlife only to transform them into hellish hybrids and monstrous mutations.

As this fusion of nightmarish creatures evolves in the life-giving mountain air, a second group including Janek’s ex-girlfriend advance towards the base in what will become a showdown of humans vs. nature upended into giant wood lice, beetle-foxes, crossbreed flying predators and much, much worse.

Imagine every creature that makes you shiver fused into one and meet your ultimate fears up at… Blood Glacier!

To win a copy of Blood Glacier aka The Station please answer the following question...

Q.What alphabetic horror anthology sequel is Blood Glacier director ,Marvin Kren currently filming a segment for?




Deadline is 16th February 2014 (23:59pm),If you haven’t done already Like us and stay with us at our Facebook page (if you are already liking us just share this post on twitter and facebook). Must be 18 or older to enter.

1.The competition is not opened to employees, family, friends of  Cinehouse, The Peoples Movies, Studiocanal employees who have the right to alter, change or offer alternative prize without any notice.2.All The Peoples Movies entries must be done via contact form. deadline Sunday(23:59pm)16th February 2014  15 years or older to enter 3.Failure to include any information required to enter could result in your entry been void.  4.automated entries are not allowed and will be disqualified, which could result you been banned, DO NOT INCLUDE telephone numbers as for security reason your entry will be deleted.5.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay friend/like us all the time,or future entries maybe considered one entry if you are liking us share the post on facebook and re-tweet the post.6.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 7.Prizes may take from days to a few months for delivery which is out of our control so please do not complain 8.The winning entries will be picked at random and contacted by email for postal details and will be announced via facebook, sometimes we are unable to confirm winners. Uk & Irish entries only.

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22 August 2013

The Kings Of Summer Review

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Rating: 15
Release date:23rd August 2013 (UK)
Director: Jordan Vogt-Roberts
Cast: Nick Offerman, Moises Arias, Nick Robinson, Alison Brie

Oh for a teenage summer. Those long months that roll on forever, answering to no teacher, endlessly outside and bargaining new bedtimes. Remember those? Director Jordan Vogt-Roberts certainly does, and hopes you do too, recalling them with the misty-eyed nostalgia inflected in his coming-of-age comedy The Kings of Summer.

Set in the midst of a hazy summer holiday, his debut feature focuses on Joe Toy (Nick Robinson) – a high-school student dogged by parental rules and longing for the freedom adulthood brings. He’s not alone, best friend Patrick (The Big C’s Gabriel Baso) is similarly plagued by the incessant nagging and banal conversation a life under the parental home can bring. Breaking point is reached when Joe’s bitingly snarky dad, Frank (Nick Offerman) humiliates and grounds him (those two cardinal sins of teenage-hood) for the final time. With little persuading he enlists the help of Patrick, he too convinced an escape from the nonsensical questions from clueless parents is needed. A plan is hatched, an old-fashioned breakout. Not just any breakout though, theirs holds loftier ambitions.

Utilising their suspect DT skills, the pair set about building a house of their own, tucked away in the woods where, crucially, “nobody will find them”. A rule-free summer is on the cards with nothing to answer to other than their own whims.

Joining them is stock kook Biaggio – a bug-eyed curiosity the two are unable to shake off. Heavily indebted to Zach Galifianakis’ role in the Hangover films, his off-the-wall, zany oddball is plastered on a bit too thick and heightens the somewhat uneasy tone of the film. Is Vogt-Roberts going for laughs, or something a little deeper? There is of course nothing wrong with aiming for both but here there’s a distinct mismatch. Dreamy, Mallick inspired shots of nature sit uncomfortably side-by-side with strained, random one-liners thrown in at will and jarring with any established lightness of touch.

The coming-of-age film isn’t complete without a fight and we get one here, emerging over quarrels of the heart, with shared affection for female interest Kelly (Erin Moriarty). The ensuing tension gets twisted with the odd pacing of the film, characters changing drastically and far quicker than anything attributed to teenage hormones, with Joe suddenly resembling a Colonel Kurtz-esque wild man of the land.

True to adolescence, parents are an after-thought but the majority of sharp lines are saved for Offerman as the Parks and Recreation actor steals much of the limelight from the younger co-stars and box-ticking characters around him.

The criticism to be found lies with the pacing and tone, switching from one to another too quickly, leaving an at times somewhat confused effect, begging the question of what Vogt-Roberts was reaching for. Whatever it is, and despite moments of genuine promise, Kings of Summer falls just short.

★★½☆☆

Matthew Walsh




This is a repost of our Sundance London Film Festival review

4 August 2013

Blancanieves Blu-Ray Review

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Rating: 12
DVD/BD Release Date:
5th August 2013 (UK)
Director:
Pablo Berger
Cast:
Maribel Verdú, Daniel Giménez Cacho, Ángela Molina
Buy Blancanieves:
Blancanieves - Collector's Edition [DVD]


Somewhat unfairly lumbered alongside The Artist as a Spanish retort to Michel Hazanavicius’ neo-silent award-guzzler, Blancanieves is proof that merely appearing in black and white does not a mimic make. This year alone sees a host of new features, from Noah Baumbach’s Frances Ha, through Ben Wheatley’s A Field in England to the upcoming Alexander Payne feature Nebraska that revel in the majesty of monochrome to tell a host of tales, ranging wildly in both style and story. Director Pablo Berger’s feature utilises the format to bring us an inventive and incredibly stylish take on the Brothers Grimm classic Snow White – the title being the literal Spanish translation and the name given to our heroine by her accompanying dwarves.

Turning the familiar fairytale on its head Berger relocates the tale of fair-skinned beauty to the home of a more sun-kissed disposition, setting the film in Spain at the heart of its cultural tapestry– the bullfighting ring. Born the daughter of the renowned matador Antonio Villalta, Carmencita is forced to live with her grandmother after her mother dies during childbirth and the subsequent heartache forces her paralyzed father (gorged in the ring at the hands of a ferocious bull) to reject the newborn. Before long her famed father remarries the conniving money-grabbing nurse who manipulatively aided his recovery. Their lavish lifestyle is light-years away from the humble yet happy existence she carves out in the rural countryside until her doting grandmother suffers a sudden and fatal heart attack, forcing the young Carmencita to become the unwanted house guest at her father’s vast new marital home.

Ably pulling off a tonal shift, Berger transports our young lead from warm, jovial, sun-drenched villas and plunges her into a Dickensian, chore-laden life under long shadows and dark surroundings. It’s one of the many impressive visual touches pulled off by Berger and his cinematographer who manage to seamlessly sit handheld close-ups comfortably alongside long range, held shots of sweeping vista’s, rolling Iberian countryside and quaint villas. Taking their lead from the greats of cinematic history the pair create a nuanced and knowing visual display, even recollecting the matchstick men communities of Lowry in the communal procession to the dominating bullfighting coliseums.

Eventually Carmencita inadvertedly finds herself on the strictly out-of-bounds second floor of the palatial pad where she chances upon her father for the very first time – his wheelchair bound slumped figure contrasting greatly to the powerful image in the grand foyer painting. The two bond instantly and secretly, away from the prying eyes of Encarna and before long Carmencita learns the ways of the matador under the expert tutelage of her esteemed father.

Years pass and Encarna’s disdain for her adoptive child grows, hatching a plan to rid her of this burden for good, a plan that, once thwarted, leads Carmencita to her six (not seven) minutely proportioned saviours, travelling Toledo’s who entertain the crowds at ramshackle bullfighting outposts battling against the less fearsome, but equally sized, calves.

Berger directs with a trained eye on the classic tale and another firmly on the stylistic touches of film-makers down the years. The dreaded apple is presented with knowing significance, brandished like a gun while elsewhere shadows and score create suspense akin to Hitchcock. Not that everything on show trawls through the past. The returning theme of fame trickles through the film with each of the leads having their own, ultimately doomed, brush with the limelight suggesting Berger has as much to say on this modern obsession as he does it’s genesis. One particular public mourning resembles a disturbing scene at Madame Tussards and there’s a nod too to the prized cover-shoot of Hello-like magazines thrown in for good measure while the freak show ending signals a bleak parallel with what we view as entertainment and those who peddle it.

So no, not merely a reactionary piece jumping aboard the Artist bandwagon (although there are similarities - for Uggie the dog, see Pepe the chicken) but Blancanieves has more up its sleeve to be written off so easily. A silent triumph in its own right.

★★★★

Matthew Walsh


6 June 2013

Dr. Who and the Daleks/Daleks' Invasion Earth 2150 A.D. Blu-Ray Review

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In this the fiftieth anniversary year of Dr Who, one of the world's most successful television creations, it's inevitable that talk of the show will be everywhere. Despite all the 'Who-ha' however, there seems little if any mention of the film spin-offs made shortly after the Doctor first appeared on the small screen during the early 1960's. So it's timely that STUDIOCANAL have seen fit to release what is surprisingly, considering the Doctor's cult-like status, his only big screen adventures to date.

Dr Who (Peter Cushing) comes up against the mighty force of his most diabolical foe the Daleks, firstly on their home planet of Skaro in Dr. Who and the Daleks (1965) and then on a devastated, futuristic Earth in Daleks' Invasion Earth 2150 A.D.(1966)  Aided by his granddaughter Susan (Roberta Tovey) and various hapless innocents who inadvertently get taken along for the ride, the Doctor must face his biggest fears in order to save the human race yet again.

In the same way that David Niven's outing as 007 in the original film treatment of Casino Royale (1967) is frequently overlooked when discussing the celluloid history of Ian Fleming's super-spy, so too is Peter Cushing's camp though endearingly batty big screen interpretation of the ageless Timelord. Made by Amicus Studios on the back of the BBC series' success, the two films are remarkably similar to the television show at the time, from the age of the Doctor (portrayed as an eccentric, fatherly figure), to him being accompanied by his granddaughter (played in both films by the precocious child star Tovey). On reflection this is hardly surprising considering that Terry Nation, the writer of the television series and creator of the Daleks, was also co-writer of the films along with Amicus supremo Milton Subotsky.

Nation's involvement likely influenced the choice of the Daleks as the enemies in the film adventures. Watching them now the Doctor's most famous adversaries (who really resemble nothing more scary than giant salt cellars on casters), seem created with the big screen in mind. Though it would be several years before the Doctor appeared in colour on television, here he jumps from the screen in vibrant Technicolor as a velvet jacketed nutty professor, whilst the Daleks themselves are given a new vibrancy in acid yellow and neon red as well as the more familiar neutral silver.

Like the television show which suffered when restricted to indoor sets but came alive in later years with the use of outdoor locations, Dr. Who and the Daleks, though undoubtedly fun with its kitsch air of 1960's psychedelia, is pale in comparison to the following year's sequel. Daleks' Invasion Earth 2150 A.D. makes marvellous use of an atmospherically war torn London, when the the Doctor and his companions land the Tardis in a post apocalyptic future. This setting also provides not only the film but perhaps the whole Dr Who mythology with one of its most iconic images - namely the vision of a Dalek emerging from the River Thames, which once seen will remain indelibly etched in the viewer's mind. It is the second film which also introduces a certain risqué'ness in the form of the Dalek's latex clad human slaves - a 'kinky' touch they would likely not have got away with on television during the 1960's.

Apart from the locations, Daleks and a marvellous supporting cast including Roy Castle and Bernard Cribbens, it is undoubtedly Cushing who makes the films comes alive. An actor who was at the height of his fame during the mid 1960's, Cushing had made mad scientists his forte and hence was perfectly suited for the big screen version of Dr Who. Indeed, watching the films now, it is puzzling why he was never asked to take on the role on television as he would undoubtedly have brought a unique zest to the part. A tantalising option fans were unfortunately never to see.

Dr. Who and the Daleks and Daleks' Invasion Earth 2150 A.D. were released on digitally remastered DVD and Blu-ray on 27th May, 2013. Both versions come with a host of extras including audio commentary, cast interviews, still galleries and trailers.

Cleaver Patterson

Dr. Who and the Daleks

★★☆☆☆


Rating: U
DVD/BD Release Date: 27th May 2013 (UK)
Director: Gordon Flemyng
Cast: Peter Cushing, Roy Castle, Jennie Linden
BuyDoctor Who And The Daleks [Blu-ray]



Daleks' Invasion Earth 2150 A.D.

★★★½


Rating: U
DVD/BD Release Date: 27th May 2013(UK)
Director: Gordon Flemyng
Cast: Peter Cushing, Bernard Cribbins, Ray Brooks

Buy: Daleks - Invasion Earth 2150 A.D. [Blu-ray]



24 May 2013

Studio Ghibli's Kiki's Delivery Service / Grave Of Fireflies To be Released on Doubleplay July

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Studiocanal have announced this July will see them release Studio Ghibli's latest Double Play on Blu Ray, Kiki's Delivery Service and Grave Of The Fireflies

The re-releases of the classic animes is to coincide with upgrading the great films to blu ray and you can add this upcoming release from 1st July.

KIKI'S DELIVERY SERVICE out on Double Play on July 1st
It’s witch meets world, as teenage Kiki chooses to live on her own in a new town, using her magical powers to get by. But Kiki is poor with potions and second-rate at spells- instead, she sets up a courier service, using her broomstick to deliver everything from pies to pets. At first with only her sarcastic cat Jiji for company, she soon discovers that she has more friends than she ever thought possible.

Adapted by Hayao Miyazaki from the children’s book by Eiko Kadono, KIKI’S DELIVERY SERVICE is one of the best-loved animated features in Japan and elsewhere.

Featuring the voices of Kirsten Dunst, Janeane Garofalo and Debbie Reynolds, Kiki’s Delivery Service is superb entertainment from start to finish.

Extras: Complete Feature Length Storyboards / Ursula’s Painting / Creating Kiki’s Delivery Service (new!) / Kiki & Jiji (new!) / Flying with Kiki & Beyond (new!) / Producer’s Perspective: Collaborating with Miyazaki (new!) / The Locations of Kiki (new!) / Beyond the Microphone (new!) / Original Japanese Theatrical Trailers / Studio Ghibli Trailer Reel



GRAVE OF THE FIREFLIES out on Double Play on July 1st
Set in Japan during World War II, the film focuses on Seita and his little sister Setsuko. After their mother is killed in an air raid and with their father serving in the navy, they are forced to fight for survival in the devastated Japanese countryside. Food and shelter are scarce, and even their own relatives are too concerned with their own survival. Allthey have is each other and their belief that life must carry on.
Takahata and his team, including character animator Yoshifumi Kondo (who has subsequently worked on other acclaimed Ghibli films from director Hayao Miyazaki) have created a visually stunning and emotionally powerful film and that meditates on the devastating consequences of war and has rightly earned a reputation as an anime classic.

Featuring the voices of J Robert Spencer, Rhoda Chrosite, Veronica Taylor and Amy Jones.

Extras: Interview with Director Isao Takahata / Japanese Release Promo Featuring Interview with Director Isao Takahata and Writer Akiyuki Nosaka / Deleted Scenes Storyboards (some new!) / Interview with Film Critic Roger Ebert / Historical Perspective Documentary / Trailers



We will be reviewing the films closer to the time, stay tuned for that review

17 May 2013

My Neighbor Totoro and Grave of the Fireflies to get a 25th anniversary cinema release

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In celebration of the 25th anniversary of the release of Studio Ghibli’s acclaimed masterpieces GRAVE OF THE FIREFLIES and MY NEIGHBOUR TOTORO, STUDIOCANAL are delighted to announce a nationwide theatrical release with a chance to experience a recreation of the original Japanese double-bill feature that first launched these anime classics. An arresting combination from Studio Ghibli’s founding fathers: Hayao Miyazaki’s MY NEIGHBOUR TOTORO, a lyrical fantasy about benevolent forest spirits and Isao Takahata’s GRAVE OF THE FIREFLIES, the heartbreaking tale of two children’s struggle to survive their firebombed city in World War 2, were launched together in 1988, showcasing the breadth of the anime powerhouse’s range of vision. Seemingly almost polar opposites in subject matter, Miyazaki’s gentle fable and Takahata’s grittier wartime adaptation both perfectly encapsulate the studio’s signature motif: its evocation of the wonder and innocence of childhood with their leading young protagonists, and showcase perfectly its defining style impressionistic imagery.


GRAVE OF THE FIREFLIES
Set in Japan during World War II, GRAVE OF THE FIREFLIES focuses on Seita and his little sister Setsuko. After their mother I skilled in an air raid, and with their father serving in the navy, they are forced to fight for survival in the devastated Japanese countryside. Food and shelter are scarce, and even their own relatives are too concerned with their own survival. All they have is each other and their belief that life must carry on. Takahata and his team, including character animator Yoshifumi Kondo, have created a visually stunning and emotionally powerful meditation on the devastating consequences of war.


MY NEIGHBOUR TOTORO [read our blu-ray review]
While their mother recovers from an illness, Satsuki and her little sister Mei get away from it all in an idyllic rural retreat. Far from the bustle of the city, they discover a mysterious place of spirits and magic, and the friendship of the Totoro woodland creatures. Conceived as a family film devoid of conflict and suffused with the joy of country living, MY NEIGHBOUR TOTOR is a masterpiece for the whole family, uniting the unique vision of Hayao Miyazaki with a feel-good tale of childlike wonder and true originality



Grave Of The Fireflies and My Neighbour Totoro will be released in UK cinemas from next Friday 24th May.

17 March 2013

Win Maximum Conviction On Blu-Ray

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Maximum Conviction, the action bonanza that marks the triumphant return of the all round American action hero Steven Seagal arrives on DVD and Blu-ray through Studio Canal on 18th March 2013.

Maximum Conviction proves that Steven Seagal is still a serious contender for the crown of the King of Action. He still brings the kind of unadulterated, high-octane thrills and spills to the screen that make you grin like a giddy girl! A real-life Aikido genius, Seagal is a true American action hero and it's our maximum conviction that no one delivers a moody chopdown better than ‘The Great One’!

To celebrate the release of Maximum Conviction, we’re giving away a copy on Blu-ray!

Synopsis

As one final mission before their retirement, former Black Ops soldier Cross (Steven Seagal) and his partner Manning (Steve Austin) are assigned the task of decommissioning an old military prison and safely transport all the detainees to a different site. Before doing so, they must firstly oversee the mysterious arrival of two high-security female prisoners that pose a potential risk to the safe-running of the operation.
Before long an elite force of mercenaries’ descend into the prison in search of the new arrivals and Cross suddenly finds himself thrown into a frenzied fight for survival. A man of strong values who adheres to the completion of all missions he is assigned, Cross assembles a hard-knock team of experts to take down the mercenaries before they get to the female arrivals.
Plagued with the additional threat of the extremely dangerous prisoners that roam the corridors, Cross must utilise the skills he gained during the Special Forces and take down the guerrilla soldiers before it costs him his life. As the true identities of the women are revealed though, Cross realizes he's caught in the middle of something far bigger than he had imagined.

To win Maximum Conviction on Blu Ray please answer the following question:

Q.Steven Austin was known for many years as Stone Cold Steve Austin in WWE what other nickname was he known as?

A.The Viper
B.The Rattlesnake
C.Brahma Bull


Send your answer, name, address, postcode (No Telephone Numbers) winatcinehouseuk@gmail.com
Must be 18 years or older to enter. Deadline is 7th April 2013 (23:59pm)
Double your chances follow us at Facebook! (you will get double entry every contest)

Terms & Conditions:1.This prize is non transferable.No cash alternatives apply.UK &Irish entries only.2.The Peoples Movies, Cinehouse and  Studiocanal have the right to alter, delay or cancel this competition without any notice 3.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse,  Studiocanal employees 4.This competition is promoted on behalf of  Studiocanal  5. If this prize becomes unavailable we have the right to offer an alternative prize instead 6.To enter this competition you must send in your answer, name, address only, Deadline 7th April 2013 (2359hrs)7.Will only accept entries sent to the correct email (win [at] thepeoplesmovies [dot] com), any other entry via any other email will be void.8.If the above form fails please send the information required from the form email it to win [at] thepeoplesmovies [dot] com (label the bay) If any info required from the form is not sent in the email your entry will be void 9.automated entries are not allowed and will be disqualified, which could result you been banned.10.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay stay friend/like us all the time,or future entries maybe considered one entry.11.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 12.Prizes may take from days to a few months for delivery which is out of our control13.The competition is opened to Aged 15 and over.14. Majority of the prizes on offer will come from representatives of the distributor, no The People’s Movies &Cinehouse, when we do have the prizes we will inform you.15. Unless Stated Please Do Not Include Telephone Numbers, we don’t need them and if you include your telephone number Cinehouse and The People’s Movies are not responsible for the security of the number 16.The winning entries will be picked at random and contacted by email or announced via facebook, sometimes we are unable to confirm winners.17.This competition is bound by the rules of Scotland,England & Wales, Northern Ireland, Ireland.18.By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.
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