Showing posts with label erik matti. Show all posts
Showing posts with label erik matti. Show all posts

31 March 2015

DVD Review - The ABCs of Death 2 (2014)

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Genre:
Horror, Anthology
Distributor:
Monster Pictures
DVD Release Date:
30th March 2015 (UK)
Rating: 18
Directors:
Julian Gilbey, Erik Matti, E.L. Katz, Jen Soska,
+26 more
Cast:
Jen Soska, Sylvia Soska, Martina García, Béatrice Dalle, Ian Virgo
Buy:The Abcs Of Death 2 [Blu-ray]

The ABC’s of Death 2 is a far more accomplished and enjoyable anthology horror than its predecessor. My hopes had perhaps been too high for the first instalment, expecting the epic project (26 directors, 26 short films all instigated by a letter of the alphabet) to showcase the future of horror whilst simultaneously saving it. Well, The ABCs of Death 2 literally streaks past the first to deliver a whooping containment of disgraceful goodies courtesy of the most exciting people in the business.
                The nice thing about the ABCs is that it doesn’t seem to favour one director more than the other. The first instalment had problems with consistency mainly because some of the films were crazy longer than others, but here it seems everyone’s been given a max run-time. It just helps to keep the film moving and- more to the point- the less interesting ones won’t be on for long. But what an eclectic array of phantasmagorical delight and nightmarish titillation! The entries are a spectrum of horror if ever there was one. They go from grungy to sleek, gory to squeaky clean, it’s all impressive as an argument for horror’s flexibility. Sci-fi dystopia, folk tales, thrillers, slashers, creature features, character pieces, there’s a wealth of great material.

A is for Amateur (E.L. Katz- Cheap Thrills) and S is for Split (Juan Martinez Moreno-Lobos de Arga) go down the thriller route, tackling synth beat pulp and split-screen home invasion respectively. The Japanese entries are 2 of the best this time around with innovation overriding bamboozlement in both Hajimi Ohata’s O is for Ochlocracy and Soichi Umezawa’s Y is for Youth. Y is particularly impressive, the stunning stop-motion manifestations of a young girl’s rage prove a grotesque but entirely unique presentation for Umezawa’s debut.

Other animation ventures strike gold by pushing the boat out and having fun with the ideas of horror. If you haven’t checked out Robert Morgan’s animations then I urge you to do so; never before has the landscape of nightmares been so aptly manifested. His particular style is a haunting ode to Kafka and Cronenberg, a foul Wallace and Gromit that crawled up out of your subconscious, and in D is for Deloused he’s on tip-top nasty form. On the other hand, Bill Plimton’s H is for Head Games is effortlessly funny and just plain pleasing in its simplicity.

Rodney Ascher’s Q is for Questionnaire is strangely obvious considering the filmmaker’s exquisite deconstruction of The Shining and clear understanding of subtext. Even then it’s still entertaining to watch. The only really bad shorts are Todd Rohal’s P-P-P-P Scary! and Alejandro Bruques’(Juan of the Dead) E is for Equilibrium, though even E doesn’t infuriate as much as Rohal’s excruciating waste of a letter, which fails to get laughs from a hoakey exploitation of stuttering and Lynch.

The most impressive films are K is for Knell (Bruno Samper), a stark and haunting sci-fi tale with a plethora of terrific imagery, Robert Boocheck’s M for Masticate for shameless hilarious drugsploitation and Marvin Kren’s black and white treat R is for Roulette. Steven Kostanski (Manborg) delivers more dark retro fun in W for Wish and proves yet again that he is a particular and talented filmmaker. In the end, The ABCs of Death 2 leaves us on a higher note than the first, climaxing with Chris Nash’s Z is for Zygote and stealing the show as the most ideologically horrific, practically disgusting, film of the anthology.

                I could write a few hundred words on each film, but that would be pointless and to be honest I just wouldn’t want to ruin it for you. Even if you hated the first, give the second a go, it’s a consummate expression of horror in all its forms and a showcase of the most vibrant and enjoyable kind.

At this rate, I cannot wait for The ABCs of Death 3.

★★★★
Scott Clark


4 July 2012

Stylish Teaser Trailer For Erik Matti's Tiktik: The Aswang Chronicles

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There's always been talk that maybe monsters live among us, most probably living among us without us even knowing of their existence. What if you pissed of a clan of these beasties  and ones that crave babies and your bride to be just happens to be pregnant what would you do to protect them? In Erik Matti's Tiktik: The Aswang Chronicles this is a scenario you may cross.

The trailer for the Filipino film has arrived, giving us a stylish look at the comedy horror and it looks business as usual for the genre veteran though we don't see any of the films comedy elements. The unique selling point of this film is its completely filmed on green screen which is a first for Philippine, a company created by Matti himself working on the digital effects as well, overall looking fantastic.

Unfortunately there is no English subtitles however there's enough here to appreciate the film and what Filipino cinephiles have got to look forward to when this film arrives in Philippines on 17th October. The film stars Dingdong Dantes, Lovi Poe, Joey Marquez, Janice De Belen, Ramon Bautista, Roi Vinzon, LJ Reyes, Mike Gayoso, and Rina Reyes.

If your wondering what Aswang is, its a type of Filipino Vampire!  source:Twitch

17 January 2010

Trailer for Erik Matti's THE ARRIVAL

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source Twitchfilm
I know this sounds strange, as ive said many times on this blog but more on my other blog I still regard myself as a student Films. After many years of neglect I am finally appreciating the great art, but as I learn its not always what you know about a particular movie or persons sometimes its the poster, the photo that attract me to movies and I can say it was the poster it did it here.
Below is a trailer for Fillipino director Erik Matti's new movie THE ARRIVAL. It s described as a bit of an personal movie for Matti and its all about a withdrawn accountant called Leo simply been one of the good guys for his boss and because of this he's slipped into the background of life. Seen nothing, done nothing even his works security guards mistaken for been a new employee even after 3 years been there!
As I said its a personal movie and Erik Matti's career in movies has been alot like the character Leo he's one of the good guys, following protocols hiking out movies and get his bossess all the money they desire. But now he's decided enough is enough and decided to make a movie the way he wants and THE ARRIVAL is his first movie since he changed.

Trailer is below and in English subtitles and The Arrival is already out in cinemas in Phillippines.