Showing posts with label US indie. Show all posts
Showing posts with label US indie. Show all posts

11 June 2013

BFI To Release John Casavettes' The Killing Of A Chinese Bookie On DualPlay This July

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The Killing of a Chinese Bookie, released on 15 July 2013, is the fifth and final title in the BFI's John Cassavetes Collection. Presented on Blu-ray for the first time, it is released in a Dual Format Edition (containing both DVD and Blu-ray) in both its original 1976 cut and Cassavetes’ re-edited shorter 1978 version. Also available on the same date will be a Limited 3-Disc Collector’s Edition which has a bonus DVD containing the documentary Anything for John (1993), the short film The Haircut (1982), and an interview with Tamar Hoffs, director of The Haircut.

In an absorbing performance, Ben Gazzara plays small-time Sunset Strip entrepreneur Cosmo Vitelli, owner of the Crazy Horse West night spot. An obsessive showman, Cosmo navigates a murky world of loan sharks and crooks to keep his club afloat, but, when a gambling debt spirals out of control, he is blackmailed into accepting a murderous commission.

Featuring standout turns by Seymour Cassel and Timothy Agoglia Carey as the underworld racketeers out to fleece Cosmo, John Cassavetes' portrayal of one man's hubristic descent subverts the conventions of its plot to explore the darker regions of the American dream.

Arguably the most plot-driven of all his films, Cassavetes withdrew The Killing of a Chinese Bookie shortly after the initial release and subsequently cut a new version which features different scenes.

Check out this funny clip from the documentary Anything For John, in which actor Ben Gazzara talks about the time he and Cassavetes discussed the film's title. The documentary the clip is from is included as a bonus on the BFI's 3-Disc Collector's Edition of The Killing of a Chinese Bookie.



Special features
• Presented in both High Definition and Standard Definition
• Includes the original 1976 cut of The Killing of a Chinese Bookie
• Selected scenes commentary on 1976 version by Al Ruban and Peter Bogdanovich
• Illustrated booklet with a newly commissioned essay by Tom Charity

Limited 3-Disc Collector's Edition - Dual Format - As above, plus:
• The Haircut (Tamar Simon Hoffs, 1982, bonus DVD only): John Cassavetes stars as a busy music executive sidetracked by a haircut in Hoffs' delightful directorial debut
• Anything for John (Doug Headline, 1993, 91 mins, bonus DVD only): feature length documentary tribute to John Cassavetes, featuring interviews with Peter Falk, Gena Rowlands and Al Ruban
• Tamar Hoffs interview (Doug Headline, 1993, 6 mins, bonus DVD only)

Pre-Order/Buy The Killing Of A Chinese Bookie:Dual Play (DVD + Blu-ray) / 3-Disc Limited Edition (DVD & Blu-ray)

3 June 2013

Watch SXSW Prize Winning Trailer For Short Term 12 Starring Brie Larsson

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Whilst to many cinephile's who don't dare to go beyond the popcorn munching blockbusters Summer is also when the great independent films from early film festivals are released like  Destin Daniel Cretton's Short Term 12. Grabbing the Grand Jury as well as Audience awards at SXSW starring Brie Larsson (21 Jump Street), John Gallagher Jr (The Newsroom)in a tale of a a gifted but troubled teenage girl arrives at the facility, Grace is forced to confront her own difficult past and unexpected future.

From those who have been fortunate to have seen this film have had nothing but praise for the film delivering a dose of every form of emotion you can think off. It looks charming, delicate, funny but most of all true to life. The trailer looks wonderful but for anyone who has doubts on Short Term 12, watch the trailer and check out the reviews and I think you'll be pleasantly surprised.

No word on an UK&Irish release date and if it does get a release expect it to be shown via arthouse cinemas rather than mainstream cinema. Short Term 12 does have an American release date which is 23rd August, the film also stars Rami Malek (The Master). Check out the trailer now....




Synopsis

SHORT TERM 12 is told through the eyes of Grace (Brie Larson), a twenty- something supervisor at a foster-care facility for at-risk teenagers. Passionate and tough, Grace is a formidable caretaker of the kids in her charge – and in love with her long-term boyfriend and co-worker, Mason (John Gallagher Jr.)
But Grace’s own difficult past – and the surprising future that suddenly presents itself – throw her into unforeseen confusion, made all the sharper with the arrival of a new intake at the facility – Jayden (Kaitlyn Dever), a gifted but troubled teenage girl with whom Grace has a charged connection.
She and Mason also struggle to help Marcus (Keith Stanfield) – an intense, quiet kid who is about to turn 18 – manage through the difficulty of having to leave the facility.
Grace comes to find – in both her work and the new teenager in her care – surprising sources of redemption. And while the subject matter is complex and often dark, this lovingly realized film finds truth – and humor – in unexpected places.

source:Yahoo


20 January 2013

Detachment DVD Review

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Rarely does a film attack nuanced and complex institutions like America’s educatory system with such brazen, cursory detail and still get away with it. But with justified vitriol, attitude and a certain amount of first-hand authority, director Tony Kaye together with former public school teacher-now-writer Carl Lund find the right kind of brittle, agitated tone to carry through their sweeping messages and moral outrage.

Kaye, whose last widely-released work was the 2006 abortion documentary Lake of Fire, presents his argument this time around not merely through a convincing display of facts. Detachment instead stabs at an ill-defined place somewhere between case study and crucible, mashing up complementary elements of (presumably) first hand accounts, stories heard through the grapevine, and highly sensationalised fictions in order to create a scatterbrained launching pad for discussion, interrogation and reflection.

This obtuse handling of artifice is immediately realised from the opening, as slices of talking-head interviews with real teachers, mostly focusing on those who fell into the profession as opposed to worked towards it, are intercut with the fictional interjections of Adrien Brody, who may or may not be in character as English substitute teacher Henry Barthes (a possible nod to French social theorist Roland Barthes?). Both an affront to the fourth-wall and harbouring little narrative connectivity to the rest of the plot  other than to get the analytical ball rolling: why do we teach? — it’s the first highfalutin tic in a film full of stylised asides and visual experimentations: hand-drawn chalkboard animations, flashy montage cuts and hallucinatory flashbacks filmed in Super 8 weave in and out of Henry’s reality, mirroring the fractured and volatile state of his existence.

A belaboured point is made that his profession as a substitute teacher is in fact a manifestation of the emotional conflict that defines him, with his innate desire to educate and heal being sullied by an unwillingness to form any meaningful long-term connections — something which is eventually challenged by a chance meeting with an underage prostitute (Sami Gayle), who inadvertently talks Henry into a surrogate father/daughter relationship. Lund also attempts, through Camus-quoting epigraph, to position Henry as a character cursed with inconsolable pain and boundless empathy, and consequently he drifts throughout the film like a lost messiah.

Charting a three week teaching assignment at a bottom-of-the-barrel public school in Queens, home to the district’s ineducable cast-offs, Detachment pits Henry against a hellish gauntlet of violent students, inattentive classrooms, suicidal outcasts, and hilariously unhinged co-workers, each demanding of a particular subset of Henry’s skills (of which he doles out with almost superhuman patience). Though when the working day is done, his personal life is revealed to be just as strenuous, with episodic visits to an ailing grandfather becoming a major source of backstory for his embattled psychology.

Henry Barthes is a testament to the high-strung duties of the profession; his perpetually sorrowful brow is but a small sign of the overwhelming tax on humanity for which the daily grind demands. Brody, as always, plays the part with a physical vulnerability and personable softness. When battling profanity-spitting bullies with charismatic cool in his disobedient classroom, it’s easy to see why students such as the lonely Meredith (Betty Kaye) would find him so appealing.

The curiously one-dimensional, worst-case-scenario depiction of the school, however, as well as the constant threat of violence, death and suicide bubbling away in the undercurrent, smacks of dramatic exaggeration, and it will undoubtedly be up to the viewer to decide whether Kaye errs too much on the side of hyperbole to get his point across. However, in a world where the life and death consequences of abused and neglected teenagers are all-too-often, tragically literal, Kaye’s uncompromising approach feels all the more due.

Not simply relegated to the issues that arise within classroom walls, Detachment also takes more general shots at generational malaise, parental failings, bureaucracy, bullying and the grand notion of what it means to advance as a human species, often leaving many more troubling questions than answers in its wake. Culpability and responsibility are tantamount concerns, and neither writer nor director is shy to place blame on profit-driven advisory boards, or the occasional buck-passing parent; one memorable sequence involving a fruitless Parent-Teacher Night sees exactly zero parental attendees throughout the whole school, which seems like a comically unrealistic exaggeration, even for this film. But whether you lament its sometimes reductive nature, it’s hard to fault the anger from which it stems, nor the sheer ambition upon which it’s built.

Though many may take issue with the way Kaye strikes viscerally and unrelentingly — his vision of a filth-ridden, after hours Brooklyn may bring to mind Travis Bickle’s repulsive vision of ‘70s Manhattan, and you start to wonder if Henry will, too, wish for a Biblical flood to wash it all away — Detachment feels like the result of years of righteous, pent-up anguish, spilling from the gut.


—Pierre Badiola

★★★½

Rating: 15
DVD/BD Release Date: 21 January 2013 (UK)
DirectorTony Kaye
WriterCarl Lund
CastAdrien BrodySami GayleChristina HendricksMarcia Gay HardenJames CaanLucy Liu

Buy Deteachment: DVD/ Blu-ray


4 January 2013

Brandon Croneberg's Antiviral Coming To UK In February

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Inject some celebrity into your life and take a magnified look at our public obsession with celebrity culture as ANTIVIRAL is released at select cinemas on 8 February and on DVD and digital download from 11 February 2013.

ANTIVIRAL marks the directorial debut of Brandon Cronenberg, son of legendary filmmaker David Cronenberg and features two hot rising stars in Caleb Landry Jones (X-Men: First Class, Contraband), and Sarah Gadon (Cosmopolis, A Dangerous Method) alongside veteran of the screen, Malcolm McDowell (A Clockwork Orange, The Artist).

Having received positive reactions at Cannes, Toronto International and the London Film Festivals, ANTIVIRAL has steadily been infecting the minds of ‘Bodyshock’ fans.  Prepare to be shocked by one of the most eye-opening and thought provoking films of the year.  Syd March (Landry Jones) is an employee at The Lucas Clinic – a company that sells injections of live viruses harvested from sick celebrities to fans who wish to fulfil their obsessive desire for real intimacy with their idols. As well as working for them, Syd also supplements his income by smuggling viruses out of the clinic in his own body in order to sell them on the black market. Constantly ill and losing his edge, Syd becomes careless and infects himself with an unusual virus carried by superstar Hannah Geist (Gadon).

When the news breaks that Hannah has died, Syd realises that the virus running rampant in his system will soon kill him too. Hallucinating and struggling to remain in control, Syd must race to solve the mystery surrounding Hannah’s death if he has any hopes to avoid suffering the same fate.

As a first year film student Brandon Cronenberg developed a serious case of the flu. The illness proved to be the perfect Petri dish for the incubation of ANTIVIRALDuring a feverish dream, I became obsessed with the physicality of illness, by the fact that what was infecting my body and my cells had come from someone else,” the director recalls. “It’s a weirdly intimate connection. I began to understand how someone like an ardent fan, might see this kind of connection to the object of their fascination as desirable. The intimacy of that link seemed like a good platform to explore celebrity obsession”.

Experience bodyshock at its finest when ANTIVIRAL is released at select cinemas on 8 February and on DVD and digital download from 11 February 2013.



DVD FEATURES:

·         Commentary with director Brandon Cronenberg and director of photography Karim Hussain

·         Deleted scenes with commentary

·         Behind the scenes  featurettes

Pre-order Antiviral [DVD]

29 October 2012

Brake DVD Review

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You can really appreciate a quality ironically by the number spin-offs or in this films case clones or films with similar scenarios. Rodrigo Cortes 2010 film Buried starring Ryan Reynolds is a highly underrated film which oddly enough hasn't seen any 'clone' films, just a few similar scenario films until now, Brake starring Stephen Dorff. So is Brake another Buried or simply a test of character for an actor for an actor who for many years puzzled us all why he hasn't excelled in bigger parts or is the film a test of how much claustrophobic you maybe?

What Appears to be an random kidnapping into something more sinister when Secret Service Agent Jeremy Reins (Dorff) discovers he's being used as a pawn in a terrorist plot. Watching the clock tick down to an unknown catastrophe. Jeremy is forced by his captors to listen to the outside world on the brink of collapse, knowing the the only way to save the people he loves is to divulge a secret that he has sworn to protect.

The first question you'll probably ask, is Brake a 'Buried clone'? The answer is yes but answer is also no. The basic set up is the same (enclosed captive who has no clue why he is there or who is responsible), but as the film progresses we gradually move away from Buried plot with the film going in it's own direction.The story is kept intense, engaging with a few twists thrown that make you think twice 'have I really sussed the plot?'. Things do work really well until the end things go pear shaped probably thanks to an eccentric flawed script which give the film the ridiculous 24 tv episode feel (though I am a fan of all things Jack Bauer).As the flaws happen right at the end of the film this could leave you in a forgiveable mood because of the timings or the total opposite frustrated and wondering why have I just wasted 80 minutes of my time watching this film! What's more confusing is at no time do we get a reason on why the film is called Brake?!

As for Stephen Dorff, in Brake he may not reach the same emotional levels Ryan Reynolds did in Buried however Dorff does deliver a really strong performance commanding the screen in a film that many other actor may have stumbled at. The film also proves he can hold a film on is own and he may have starred in a howlers as well as many one hit wonders like Sofia Copolla's Somewhere proves he does possess the acting chops to do bigger and better things.

Brake is an enjoyable tense thriller and if you can forgive the ending this film will be worthwhile your time which Buried and 24 fans will enjoy.

Paul Devine


★★★1/2


Rating:15
UK DVD/BD Release Date: 29th October 2012
Directed by:Gabe Torres
Cast: Stephen Dorff, Chyler Leigh, Jr Bourne, Tom Berenger, Kali Rocha, Pruitt Taylor Vince
Buy Brake:Blu Ray / DVD

21 October 2012

Your Sister's Sister Blu-Ray Review

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Any one who says love isn't complicated must be reading too many Mills 'n' Boon novels need to get a grip of reality. Life is complicated but is also beautiful in it's simplest form just like relationships, so introduce Lynn Shelton the director of Humpaday to the mix. Take those simple conventions of life make them complex going on farcical but most of all situations become truly believable resulting in the charming Your Sister's Sister.

Lost in emotional slump for the past year due to his brothers death Jack (Mark Duplass) takes the advice of his best friend Iris (Emily Blunt) to spend a week at her family's remote island retreat for a week of solitude and reflection. Upon arrival at the house Jack discovers some one is already there, Hannah (Rose Marie De Witt) Iris Sister who is also there for reflection with the end result the pair spending an awkward night together. The following morning the pair get an unexpected guest when Iris arrives at their front door setting off boundless revelations, complicated secrets and emotionally twisted tale of siblings and best friends, loyalty and love.

When you have a film that has improvisation or even improvisation in any form it can be a risky move. In Your Sister's Sister what we get is something that's brutally honest most of all very sincere.Everything is kept believable thanks to the characters who are likeable as well as creating a nice chemistry between the three leads which never feels forced. To highlight how natural and flowing things where Shelton captures the moment with scenes were shot in one shot which is a rarity these days.

Your Sister's Sister isn't a laugh out loud a minute film nor a romantic comedy in the same description as the Romcoms we get these days a dime a dozen. I would go as far as calling this more a sitcom as it's all in the dialogue and the rapport of the characters, also we don't get bombarded with long winding info on each character just enough to know she was with him, he is a slacker, she was with her then with him and Bob is your uncle.

Everything seems to work thanks to the performances of the cast. Mark Duplass despite the one been lumbered at times with the films 'awkward moments' handles Jack's part masterfully balancing his character's mischievous buffoonery with endless insecurities. His handling of the character probably thanks to him been one of the founders of Mumblecore sub-genre, so if Duplass is Ying Rose Marie De Witt must be Yang. As Hannah she is cheekily manipulative , homewrecker of sorts but also a fragile troubled soul too.Emily Blunt as Iris delivers a safe performance and been the bigger name of the three cast members credit goes to her as she proves she has the ability to improvise an area many other bigger names have either tried and failed miserably or don't even go near. You may also ask how come Iris and Hannah are sisters whilst one is American the other British? Don't have to Sherlock Holmes to figure it out but I won't spoil the moment as it's a funny scene but it gives the film an extra dimension. With De Witt been a late replacement for Rachel Weisz you wonder if this film would have worked with 2 British female leads?

In words of a former Colleague Your Sisters Sister is also a film that will be enjoyed 'by dudes' just as much as women.There's no fantasy fairytale scenarios just 3 normal fragile souls in need of some 'me time' but now finding themselves in a rather crowded retreat,a crowed house that leads to some farcical results. For all it's charms Your Sisters Sister does at times fell a little stretched , even flat at times but thanks to the simplicity of the plot and great performances from the cast it keeps the film interesting but most of all entertaining. The end scene may frustrate some of you but as improvisation is the name of the game here Lynn Shelton leaves this point of the film for you to improvise.

Paul Devine


★★★1/2


Rating:15 (UK)
DVD/BD Release Date: 29th October 2012
Directed By: Lynn Shelton
Cast: Mark Duplass, Emily Blunt , Rosemarie DeWitt
Buy/Pre-Order Your Sister's Sister:DVD / Blu-ray